Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

Saturday, 9 July 2011

Call me Ishmael... In defence of 'Moby Dick'

I'm quite a slow reader, and life is short. For this reason, long novels often put me off. I find them intimidating, and will more often than not go for a shorter option instead.

But if, given a truly bizarre set of circumstances, I was invited onto 'Desert Island Discs', Herman Melville's Moby Dick (600 pages) would be my book of choice. I would happily while away the hours with it, in my homemade hammock, enjoying some coconut juice and a cooling sea breeze.

Moby Dick is much-maligned: I've more often heard it criticised and described as 'unreadable' than I've heard it praised and celebrated. And the mission of this post is to stick up for this lovely book.

To summarise... Ishmael, our narrator, and his new friend Queequeg, sign on with the whaling ship Pequod, whose captain is the imposing and haunted Ahab. He has one leg missing below the knee, courtesy of a huge white sperm whale - Moby Dick. Ahab's quest for revenge on the whale becomes more and more fevered, until the great climax of the book - a three-day battle of wills between the whale and the crew of the ship.

But Moby Dick is so much more than a book about whaling. My first reaction on reading it, was that it was a sort of 'encyclopaedia of the sea', such is the detail with which it treats it subject. There are chapters dedicated to pen portraits of the crew-members, Nantucket and its inhabitants, the joys of chowder, and a comprehensive classification and description of different types of whale, all in beautiful, engaging detail.

And as with any great novel, all human life is here. The characters are richly portrayed and their relationships with each other are often humorous and touching. My favourite passage has nothing to do with whaling: it speaks of the friendship between Ishmael and Queequeg, who first meet when they are required to share a bed in their temporary lodgings:

... I had felt a strong repugnance to his smoking in the bed the night before, yet see how elastic our stiff prejudices grow when once love comes to bend them. For now I liked nothing better than to have Queequeg smoking by me, even in bed, because he seemed to be full of such serene household joy then. I was alive to the condensed confidential comfortableness of sharing a pipe and a blanket with a real friend. 

Yes, this is a long book. But in its favour, the chapters are very short - many of them just a few pages - making it more manageable. And it really does reward our attention. It is full of humanity and tiny, fascinating details, and makes for really compelling reading.

I do like to include pictures on the blog whenever I can. But I don't have a picture of a whale. So here is another view of John Kindness's 'Big Fish':

A big fish! Not as tenuous a link as you might imagine:
Ishmael refers to Moby Dick as a fish, rather than a mammal.  

If I've whetted your appetite and you think you might give the book the benefit of the doubt, I won't spoil the ending for you. I remember standing at a Metro station in Newcastle, half-way through the book, and an elderly lady saw what I was reading. 'I've seen the film,' she said. 'Gregory Peck. He gets him in the end, you know.'

Ah yes, but who gets whom...?

Saturday, 26 March 2011

Displacement activity, revolving cats... and WWWhen the internet comes good

We've all been there. Sitting in front of a blank computer screen, waiting for inspiration to strike. The wonderful Douglas Adams put it very well when he said that writing was easy, and 'all you have to do is stare at a blank piece of paper until your forehead bleeds.' My forehead is unscathed, so I'm obviously not doing it properly yet.

It is so easy to get distracted and drawn into other things when the words just won't come, especially if you work at a computer, rather than writing by hand, and have the internet on tap.

I had a day like that yesterday. It finally struck me quite how low I had allowed my afternoon to sink when I found myself yielding numbly to a 12-second YouTube clip of a tabby cat spinning wildly from the cord of a ceiling fan. And don't tell me the colour of the cat isn't important.

But I did redeem myself, I think. Minutes later, I found this item on the Guardian online: Guardian Ten Rules for Writing Fiction

It's a lively selection of advice from some of our best-known writers, including Margaret Attwood, Hilary Mantel, Roddy Doyle, Michael Morpurgo and Jeanette Winterson. I found myself really galvanised into action once I'd read it.

Here are a few miscellaneous snippets (the italics are mine):

  • Writing is work... Other people can help you a bit, but essentially you're on your own. Nobody is making you do this: you chose it, so don't whine. (Margaret Attwood)
  • Do give the work a name as quickly as possible... Dickens knew Bleak House was going to be called Bleak House before he started writing it. The rest must have been easy. (Roddy Doyle) Yes, it must have been ...
  • The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (Neil Gaiman)
  • ... record moments, fleeting impressions, overheard dialogue, your own sadnesses and bewilderments and joys. (Michael Morpurgo)
  • Stay in your mental pyjamas all day (Colm Tóibín) I liked that one especially.
and finally:
  • Work on a computer disconnected from the internet (Zadie Smith) ... Hmm. Yes.

So then. Back to work. With a pencil and a piece of paper. And no internet. Completely free of distractions. Oh, hold on, though. What's this? Oooh, the Boat Race! I think I'll just...